My favorite opening of the Winter Season

There are shows that derive their appeal from the fun cast of characters with interesting personalities and personal problems to work through. There are shows that derive their appeal from the fun or high quality animation and artstyle that accompany an otherwise not as impressive story. There are also shows that derive their appeal from having a fantastic soundtrack or even just a great opening theme. And then there is You and I are polar opposites, a 2026 romance anime that absolutely nails all three of those. Quickly becoming one of my favorite romance anime/manga out there, this show has so much to offer that I don’t even know where to begin. So let’s just begin at the beginning.

Showing off the cast

Miyu Suzuki is a popular girl with an extroverted personality and good looks. Yuusuke Tani is a quiet boy that is much more introverted than many of his classmates. Despite this big difference in their personalities, Suzuki always tries to include Tani in their conversations, even though her friends are certain she’s just bothering their quiet classmate. But Suzuki isn’t doing so because she wasn’t to annoy him, but instead because she’s had a crush on him for quite a while. Opposites attract after all. It turns out that Tani has had a crush on Suzuki for exactly the same reason. It’s the age old meme of an extroverted person adopting an introverted person, but now in anime form. The two pretty quickly reveal their feelings for each other and the romance starts.

Taira is a much nicer and better guy than he gives himself credit for and it’s great to see him break down Azuma’s walls

What keeps the actual story fresh is the diverse cast of characters that it takes its time exploring. In this sense, it is very similar to one of the more popular romance manga out there; Horimiya. Instead of just focusing on Tani and Suzuki, they also develop the friendship between the pessimistic Taira and self-doubting Azuma as well as the blossoming relationship between the funny and social Yamada and the shy and quiet Nisshi. By including all sorts of different characters and their complex relationships with each other, the show stays fresh and avoids getting stale. 

I absolutely adore these two together, such a great duo.

I talked about the different ways that an anime can appeal to you in the opening paragraph of this post, and I think I would be remiss not to explore the animation, the art direction and the opening theme song. Although the art direction is incredibly fun and colorful throughout the series, with the style regularly changing to more simplistic and even what I would call more western cartoonish shots, there is no better place to demonstrate this than by exploring the opening theme song Megana wo Hazushite by Noa. And before we talk about it, I highly recommend you give it a watch first. If you’re still not certain that you’re going to watch the anime itself, do yourself a favor and at least watch the opening, it’s only 90 seconds after all and if it doesn’t sell you on the anime, nothing I say here will.

I love this goofy shot of Suzuki, showing off just how silly of a character she can be.

With an abundance of creative shots including but not limited to – kaleidoscope shots, different frames of animation on the edges of a clock, lego bricks, playing with the angles on assets, looking through glasses, playing with perspective and all sorts of fun old ways to create an animated effect before animation as we know it was even a thing – I want to focus on the one throughline in this entire opening that is just done incredibly well.
There is a running gag in the series about how Suzuki is terrible at taking photos, and always makes a silly face when she doesn’t intend it. This gag is extended into the opening, where the characters take several pictures of each other. At first, they all get into position to use their bodies to make the kanji for the title of the show, before all the pictures snapped are lined up and shown by each of the people’s hands. Later on we see this same picture motif again where every character jumps to create a running animation when all of these pictures are combined. And in both of these moments we see how each character looks normal and then Suzuki looks like a total blustering fool. It’s the eye for detail as well as the creativity of these shots themselves that really makes the opening pop. I don’t think there has been an anime opening as fun in the past few years. I know I hyped up the Darwin Incident opening the other day, but truthfully the animation for that is kind of forgettable. Here we have incredible art direction and a banger song. What more can you ask for?

Let’s ignore for a moment the lack of diversity and just focus on how creative this shot is.

I think I’ve said all that I could about this show now, all that’s left is for you to go check it out. While writing this post I managed to convince myself to order the entire manga – which is already finished with 8 volumes. There is a second season of the anime already announced which will probably cover the rest of the story, but I can’t wait that long if I’m honest. Thanks for reading!

Bringing back the camera for this shot was a fun idea too, with the filters showing off Miyuki’s silliness while you can see that Tani is not really all that excited about it.
Using the backwards writing of the credits on the window while showing off the proper writing on the mirror is a fun idea.
Poor Hon-Chan

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